Here another set of beautiful radio recordings by the great master.
Sharafat Hussain Khan 3 - CD 1 & Covers:
Sharafat Hussain Khan 3 - CD 2:
Many thanks to KF for the recordings and the covers.
Showing posts with label Agra Gharana. Show all posts
Showing posts with label Agra Gharana. Show all posts
Monday, July 13, 2015
Saturday, July 11, 2015
Sharafat Hussain Khan (1930-1985) - 30th anniversary of his death - Part II - Raga Todi & Raga Rageshri
Here two other beautiful recordings by the great master. On the first CD we have a wonderful demonstration of his mastery over the Dhrupad format including a long Alap. Sharafat Hussain Khan was the last great singer of the Agra Gharana who reguarly performed long Alaps.
Sharafat Hussain Khan - CD 1 - Todi & covers:
Sharafat Hussain Khan - CD 2 - Rageshri:
Many thanks to KF for editing these recordings and creating the beautiful cover.
Tuesday, July 7, 2015
Sharafat Hussain Khan (1930-1985) - 30th anniversary of his death - AIR memorial broadcast on 14th of july 1985
In honour of the great artist, we admire very much and of whose music we are especially fond, we post here a National Program of Music broadcast by All India Radio on July 14, 1985, one week after his sad and premature passing. His first and only LP we had posted in 2011. See here.
Ustad Sharafat Hussain Khan “Prem Rang” (1930 – 1985)
A disciple of Ustad Faiyaz Khan and Ustad Ata Hussain Khan – A great vocalist from Agra Gharana. His approach towards music was always to expand the Raga. Take any Raga-s and Ustad-ji would sing these Raga-s at length. For example Raga Malati Basant, Raga Raisa Kanada, Raga Maluha Kalyan to name a few – He could and would sing them for about an hour plus, on an average. He was always open to greater development of his music and so he was never shy to adopt something from other musicians or their respective styles. And almost always, he was successful in blending those so called foreign elements into the musical structure of Agra Gharana that he used to prefer and perform. And then the concept he would sing would be his own “Khayal”.
He was probably one of the last musicians who performed full-length, full featured Nom-Tom Alap before Khayal. His command on Laya (rhythem) was also great which is visible (audible, I mean) in various pieces that are presented here. He was blessed with a voice which he successfully preserved and cultivated to suite his imagination.
He was never tired of singing because he loved his music. Once a mehfil was organized in Ahmedabad and the organizer requested Ustad-ji to sing without microphone and without Harmonium accompaniment to get the essence of music in untainted form. Ustad-ji agreed. The mehfil eventually turned out to be a whole night concert where Ustad-ji sang Nom-Tom Alap, Vilambit (Traditional Composition) and Drut Khayal (His own composition) in Raga Savani (a variant with Komal Gandhar) followed by Raga Jaijaivanti, Vilambit and Drut, followed by Raga Nat Bihag, Drut Khyal, Raga Sohini, Drut Khayal. As it was about sunrise, He started Raga Ramkali – Vilambit & Drut. In the end he sang a Dadra in Raga Bhairavi. Fortunately this concert was recorded and recently it has been published as a set of 4 CDs by Sangeet Kendra.
from: https://utterjoy.wordpress.com/2007/07/11/ustad-sharafat-hussain-khan-prem-rang-1930-1985-2/
This series of 4 CDs and some other CDs by the artist can be obtained from: info@raga-maqam-dastgah.com
On the artist see further:
Sunday, May 10, 2015
Gharanon Ki Gaiki - Vol. 19 - Asad Ali Khan - Agra Gharana
Ustad Asad Ali Khan was an outstanding disciple of the great Ustad Fayyaz Khan. He was already well-known in India in the 1940s, before he went to Pakistan after partition. There unfortunately - it seems - he never became very well known, judging from the few recordings which exist. I guess these musicians were mainly known for their - often privately organized - concerts (Mehfils).
Here some memories by a singer, Moni Babu, who learned, among other greats of the Agra Gharana, also from Ustad Asad Ali Khan:
"Ustadji’s (Tassadaq Hussain Khan's) nephew Asad Ali was a wonderful singer. He moved to Karachi after partition. Till then we thought that in Ustad’s absence Asad was the one who would bear the mantle. Once in a programme from Delhi Radio he gave a recital of Sayaji Kanada. It was an unbelievable performance that haunted me for many days. When Asad returned to Agra, I pleaded with him to show me the nuances of the raga. Ustadji was not at home when we started but suddenly returned from somewhere. Asad received the scolding of his life and literally fell at his feet. I was speechless at the developments and vanished from the scene. Later Ustadji called me the same day and taught me till I was able to sing it myself. The fact was , none except him was allowed to teach. I was clearly told not to depend on anybody else and ask him whatever I wanted to know. I had seen similar things to happen to others also.
He affectionately called me Maharaj and treated me like one. On Sundays his own tonga would pick me up and drop me back. Money was never an issue. Whenever and whatever I could afford to give was fine. Agra was witness to the most terrible riots during partition time. Ustadji’s house was at the end of a lane through a red-light area , lined on both sides with beef-shops on the ground floor . No Hindu would even think of going there those days, particularly during the nights. I had never told anything to him but was naturally a bit concerned because it was quite late in the night by the time I returned from Ustadji’s house. One day Ustadji called a man named Abdul and told him “Abdul, he is my son. Nothing should happen to him”. From that day onwards, two persons would escort me every day till I reached the safe Hindu locality. So much for discrimination”.
Read here the complete story:
Some information on the Agra Gharana:
Friday, February 13, 2015
Anjanibai Lolekar (born 1928) - LP published in India in 1968
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Here the third post of great female voices of the Agra Gharana. Anjanibai Lolekar was born on 8.9.1928. She learnt from Ustad Anwar Hussain Khan (1910-1966), a brother of Ustad Khadim Hussain Khan and Ustad Latafat Hussain Khan. If she is still living, I don't know. Hardly anything can be found about her in the internet.
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Thursday, February 5, 2015
Dipali Nag (1922-2009) - Raga Jaijaiwanti, Raga Jaunpuri & Bhairavi Thumri - LP published in 1972 in India
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Here the second great female voice of Agra Gharana.
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On the artist see:
Friday, January 30, 2015
Lalith Rao - Raga Bihag, Raga Kedar, Thumri - LP published in India in 1985
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About the Agra Gharana, a particularly masculine style, see:
http://en.wikipedia.org/wiki/Agra_gharana
http://sahapedia.org/the-agra-gharana-of-hindustani-music/
http://www.nadsadhna.com/Pages/IndianMusic/Gharanas.asp?About=Agra
https://agragharana.wordpress.com/
About Lalith Rao see:
http://en.wikipedia.org/wiki/Lalith_J._Rao
Recently this wonderful box was published in India
(can be ordered from info@raga-maqam-dastgah.com):
Khadim Hussain Khan, Lalith J. Rao a.o. - Agra Gharana – Ek Vatavriksh – The Legacy Continues – An Agra Gharana Heritage Collection, Set of 4 CDs in box, CD 1: Khadim Hussain Khan (Vocal) – Rare Live Concert Recordings: Raga Bhim: Alap & Rupak Tal (1979) (26:58), Raga Bihag: Alap & Dhamar, Vilambit Ektal & Drut Teental (1978) (39:24), Raga Bhairavi: Keherwa (1976) (8:16), CD 2: Lalith J. Rao (Vocal), Purushottam Walawalkar (Harmonium) & Deppak Nerurkar (Tabla) – Volume 1: Raga Shree: Vilambit Teental, Madhyalaya Jhaptal & Drut Teental (1987) (65:32), CD 3: Lalith J. Rao (Vocal), Purushottam Walawalkar (Harmonium) & Deppak Nerurkar (Tabla) – Volume 2: Raga Dhanashri: Vilambit Ektal & Drut Teental (1987) (28:25), Raga Barwa: Alap & Drut Teental (1987) (38:30), CD 4 (MP3): Khadim Hussain Khan (Vocal) – Raga Maluha Kedar (30:33), Raga Darbari Kanhada (10:11), Raga Sajan Sohini (6:13), Lalith J. Rao (Vocal) – Raga Gorakh Kalyan (53:04), Raga Basant – Tarana (19:22), Torch Bearers of the Agra Gharana – Bharathi Prathap (Vocal) – Raga Bageshree Bahar (35:50), Pilu Thumri (11:17), Deepa Karnad (Vocal) – Raga Shuddh Sarang (37:31), Kailash Kulkarni (Vocal) – Raga Malkauns (45:28), Meera Sahasrabudhe (Vocal) – Raga Jog (30:52), Nishant Panicker (Vocal) - Raga Kedar (31:25), Pratima Ganesh (Vocal) - Raga Jaunpuri (35:07), Susheela Mehta (Vocal) - Raga Miyan ki Todi (27:47), Raga Khem Kalyan (11:08), Tara Kini (Vocal) - Raga Bahaduri Todi (36:46), PRAGNYA
Excellent product with wonderful recordings. The prodigiously learned Ustad Khadim Hussain Khan Saheb (1907-1993) was considered to be one of the foremost Agra gayaki singers of his time. Born in Atrauli (in Uttar Pradesh) in 1907, he studied music from his father Altaf Hussain Khan and then went on to receive the rich and varied repertoire of the Agra Gharana from his grand uncle Kallan Khan, both celebrities of their time and court musicians of Jaipur. Young Khadim`s studentship with the latter who was the younger son of Ghagge Khuda Baksh, the gharana`s pioneer was long and arduous: it lasted for 12 hours everyday for over 12 years.
He was far more widely known as an ideal teacher than as a concert performer. Moreover, his proficiency in Layakari was beyond the comprehension of the uninitiated listener. The number of Khadim Hussain’s pupils is legion and includes well-known artistes of the past and present. Ustad Latafat Hussain (his younger brother) and Lalith Rao were among his disciples who made a name in the field.
Lalith Rao (born 1942) is an outstanding singer of the Agra Gharna, one of the very rare singers today who still keep alive the magnificient style of the Agra Gharana in all it’s facets.
Excellent recordings with good sound quality. The MP3-CD (7 hours long) contains next to recordings by the two masters a number of beautiful new studio recordings by students of Lalith Rao, all accompanied on Tabla by Shashibhushan Gurjar or Gurunandan Kallianpur and on Harmonium by Vyasmurti Katti.
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